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Mahabharata
Author : C.Raja Gopala Chari Kulapati's Preface
Preface Ganapati, the Scribe
Devavrata Bhishma's Vow
Amba And Bhishma Devayani And Kacha
The Marriage Of Devayani Yayati
Vidura Kunti Devi
Death Of Pandu Bhima
Karna Drona
The Wax Palace The Escape Of The Pandavas
The Slaying Of Bakasura Draupadi's Swayamvaram
Indraprastha The Saranga Birds
Jarasandha The Slaying OF Jarasandha
The First Honour Sakuni Comes In
The Invitation The Wager
Draupadi's Grief Dhritarashtra's Anxiety
Krishna's Vow Pasupata
Affliction is Nothing New Agastya
Rishyasringa Fruitless Penance
Yavakrida's End Mere Learning Is Not Enough
Ashtavakra Bhima And Hanuman
I am No Crane The Wicked Are Never Satisfied
Duryodhana Disgraced Sri Krishna's Hunger
The Enchanted Pool Domestic Service
Virtue Vindicated Matsya Defended
Prince Uttara Promise Fulfilled
Virata's Delusion Taking Counsel
Arjuna's Charioteer Salya Against His Nephews
Vritra Nahusha
Sanjaya's Mission Not a Needle-Point Of Territory
Krishna's Mission Attachment and Duty
The Pandava Generalissimo Balarama
Rukmini Non-Co-Operation
Krishna Teaches Yudhishthira Seeks Benediction
The First Day's Battle The Second Day
The Third Day's Battle The Fourth Day
The Fifth Day The Sixth Day
The Seventh Day The Eighth Day
The Ninth Day The Passing Of Bhishma
Karna and the Grandsire Drona in Command
To Seize Yudhishthira Alive The Twelfth Day
Brave Bhagadatta Abhimanyu
The Death Of Abhimanyu A Father's Grief
The Sindhu King Borrowed Armour
Yudhishthira's Misgivings Yudhishthira's Fond Hope
Karna And Bhima Pledge Respected
Somadatta's End Jayadratha Slain
Drona Passes Away The Death Of Karna
Duryodhana The Pandavas Reproached
Aswatthama Avenged
Who Can Give Solace? Yudhishthira's Anguish
Yudhishthira Comforted Envy
Utanga A Pound Of Flour
Yudhishthira Rules Dhritarashtra
The Passing Away Of The Three Krishna Passes Away
Yudhishthira's Final Trial Glossary
Major Sections
Books By Rajaji
Ramayana Mahabharata

Bhagavad Gita

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Upanishads

Hinduism Doctrine And Way Of Living

SALYA AGAINST HIS NEPHEWS

Where was the need to make mention of them and then labour arguments to explain them away, there by disturbing men's minds?

It was not as though others haddiscovered the lapses and Vyasa and Valmiki had to defend their heroes. The stories areartistic creations in which lapses they impress the desired moral.

The parts dealing with the lapses deeply distress the reader's mind and serve as solemn warnings of pitfalls, which wait to engulf the careless.

They dispose the mind to humility and watchfulness and make it realise the need for divine guidance. The modem cinema also projects on the screen much that is bad and immoral.

Whatever may be the explanation offered by the protagonists of the cinema, evil is presented on the screen in an attractive fashion that grips people's minds and tempts them into the path of wickedness.

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Mahabharata
About Salya Against His Nephews
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